ART FAIR: Art Paris 2026

Kris will be showing new works on paper at Art Paris with Galerie Alain Gutharc April 9th-12th, 2026 at the Grand Palais.   For more information, or to see works from this presentation please contact the gallery.  

SOLO SHOW: GREEN CARNATION @ GAVLAK, WEST PALM BEACH

Kris Knight, Standing In The Sun (Hollyhocks & Mingus) 2 panels at 14x11" each 2025


Kris Knight | Green Carnation

GAVLAK West Palm Beach

January 29 – February 28, 2026

For more information, please contact GAVLAK

As part of the gallery’s Spotlight series, GAVLAK presents Green Carnation, a solo exhibition of new paintings by Canadian artist Kris Knight. Comprising a suite of intimate diptychs, the exhibition extends Knight’s long-standing engagement with queer identity, portraiture, and coded forms of communication—where intimacy, memory, and symbolism converge.

Inspired by floriography, the Victorian-era “language of flowers” in which specific meanings were attributed to plants, Green Carnation pairs portraits of men with floral still lifes selected to reflect each sitter through cryptological association. Historically used to convey sentiments that could not be spoken aloud, floriography offered a discreet system of communication—one that resonates deeply with queer histories shaped by secrecy, survival, and coded recognition.

Kris Knight, Kent County House (Jordan & Alkekengi), oil on canvas, 2 panels at 14x11" each, 2025

The exhibition takes its title from an event in 1892, when Oscar Wilde instructed his gay male friends to wear green carnations on their lapels to the opening of Lady Windermere’s Fan. The dyed flower—an emblem of artifice and “unnaturalness”—became a subtle signal of same-sex desire, circulating as a quiet yet defiant queer code. Knight draws upon this lineage of coded language, situating his work within a broader history of LGBTQ+ signalling—from floral metaphors to the visual lexicons of dress, gesture, and style that have long enabled queer community to find itself.

With this new body of work, Knight expands his portraiture practice while continuing to explore the porous boundary between documentation and autobiography. He paints the men around him—predominantly queer creatives—as both subjects and surrogates, staging them within carefully composed, light-filled worlds. Though rooted in real relationships, the portraits resist straightforward likeness. Instead, Knight describes his sitters as “actors” and “vehicles,” through which fragments of his own history, memory, and desire are quietly revealed.

Knight is a self-described “slow painter,” working from photographs, sketches, and extended conversations rather than direct sittings. Time spent with his subjects—talking, listening, remembering—lingers in the paintings after they leave the studio. Across the diptychs, biographical details surface in whispers: memories of childhood gardens, moments of haunting and loss, the early death of a first boyfriend. These works function as acts of recollection—records of lived experience that move fluidly between personal confession and collective queer memory.

The floral still lifes in Green Carnation serve as critical extensions of Knight’s portraits, offering metaphorical insight through the symbolic language of plants. Flowers and botanicals, recurring motifs in Knight’s practice, mirror the fleeting beauty and emotional vulnerability that define his figurative work. His signature chalky pastel palette is expanded here to include more unnatural hues and tones, referencing Wilde’s dyed carnations and reinforcing the exhibition’s themes of artifice, desire, and coded expression.

Press: The Language of Flowers Meets Queer Desire in Kris Knight’s Tender Portraiture by Grace Ebert for COLOSSAL Magazine

Kris Knight, Nyctinasy In Reverse, oil on canvas, 2 panels at 14x11" each, 2025



GROUP EXHIBITION: Le soleil ne chauffe que ce qu'il voit @ Galerie Nicolas Robert

Le soleil ne chauffe que ce qu’il voit 

Galerie Nicolas Robert, Montréal 

From July 22 to August 30, 2025

Haley Bassett, Jimmy Beauquesne, Caroline Cloutier, Kris Knight, Christopher Paul Jordan, Simon Petepiece, Carl Trahan, Justin Weiler, Maude Corriveau

Kris Knight August (Embrace & Hollyhock) oil on prepared paper, 2025


For the summer season, Galerie Nicolas Robert Montréal is pleased to present a group exhibition titled Le soleil ne chauffe que ce qu'il voit,  from July 10th to August 30, 2025. 

Through a variety of approaches, the invited artists propose visions where light tends to persist despite the darkness. The works presented will explore certain symbolic imagery to convey a sense of optimism and hope. This imagery will weave its way from work to work, sometimes as the main theme, other times as a symbol or support, presenting itself as a bearer of hope and fulfillment.

Haley Bassett (Grandes Prairies)’s practice incorporates locally harvested natural materials and found objects and spans various mediums, including painting, sculpture, installation, beadwork, and textile arts and explores the connection between self and land, hybridity, and identity. 

Jimmy Beauquesne (Paris) uses drawing as a nostalgic, melancholic and recuperative act. Often borrowing his figures from celebrity culture, Beauquesne's images recontextualize their subjects in a strange, fantastical landscape, blending sacred and pop figures, while commenting on the place of drawing in a post-internet age.

Caroline Cloutier (Montréal) creates abstract works that translate the vibratory nature of existence by playing with colour, pigment and movement. Inspired by sacred geometry and the fundamental structures of life, she seeks to reveal imperceptible patterns, varying from atomic arrangements to celestial trajectories. 

Kris Knight (Toronto) paints romantic portraits that present emotional worlds: portals that lead to the past and present, and that recede from the excess of the world as much as they reflect it. 

Christopher Paul Jordan (Washington) makes works that act as time capsules, preserving, burying, connecting, as well as questioning the survival of memory, diasporic narratives, infrastructures of knowledge, care and communication across distance. 

Simon Petepiece (Montréal) creates works with construction materials and processes that invite the viewer to reflect on the cultural meanings and emotional quality of industrial products. His work questions the way our society conceives and constructs space, as well as its relationship to the environments it inhabits daily.  

Carl Trahan (Montréal) develops a multidisciplinary body of work that refers to pivotal moments in Western history and related philosophical concepts, and finds echoes in the contemporary world. 

Justin Weiler (Paris), through a succession of monochromatic layers, writes his paintings with light to create an image by revealing different layers of black. It's through his exploration of contrasts and superpositions that he treats light, which he considers inseparable from shadow.


ART FAIR: Drawing Now Paris

Kris Knight "What Others Say" charcoal and pastel on hand tinted paper, 16x12" 2025


Drawing Now Paris with Galerie Alain Gutharc, March 26th - 30th, 2025 

Drawing Now Paris is the first contemporary art fair exclusively dedicated to drawing in Europe, created in 2007.

For its 19th edition, Drawing Now Paris will return to the Carreau du Temple in the 3rd arrondissement of Paris.

A selection of international galleries will present their selection of works around contemporary drawing from the last 50 years. The two sectors, Insight and Process, will once again show the most contemporary side of drawing. 

For more information or to see drawings by Kris Knight, please contact contact@alaingutharc.com

Kris Knight "Just As Tired As You" pastel and pencil crayon on hand tinted paper, 16x12" 2025



ART FAIR: Art Basel Miami Beach

Kris Knight "Tropaeolum" oil on canvas, 18x14" 2024 


Art Basel Miami Beach with GAVLAK Gallery, Booth C3 December 4-8th, 2024.   The fair is located at the Miami Beach Convention Center, 1901 Convention Center Drive, Miami Beach, Florida.  For more information, please contact  GAVLAK. 



GROUP EXHIBITION: Body & Spirit @ Spinello Projects, Miami

Kris Knight Mullein Morning, oil on canvas, 48x36" 2023


Body & Spirit - Group Exhibition 

December 02 - January 11, 2025 

Spinello Projects presents Body & Spirit, a multimedia group exhibition featuring works by Esaí Alfredo, Eddie Arroyo, Thomas Bils, Damien Cifelli, Bernadette Despujols, Connor Dolan, Nereida Garcia-Ferraz, Elliot & Erick Jiménez, Kris Knight, Sinisa Kukec, Jared McGriff, Alejandra Moros, Reginald O'Neal, and Nina Surel. The exhibition examines the intersection of physical presence and intangible essence, offering nuanced perspectives on identity, memory, and personal mythology.

For more information, please contact Spinello Projects 

GROUP EXHIBITION: Portrait of an Artist (Pool with Two Figures) @ Cob. London



portrait of an artist (pool with two figures): group exhibition

28 November - 20 December 2024

Luke Edward Hall | Rowley Haynes | Killion Huang | Steffen Kern | Morteza Khakshoor | Kris Knight | Igor Moritz | Kofi Perry | Adriel Visoto

Private View: Wednesday 27 November, 6-9pm  

Cob Gallery 205 Royal College Street London NW1 0SG

Cob Gallery is proud to present Portrait of an Artist (Pool with Two Figures), a group exhibition of male artist’s that explores intimacy, identity, and relationships within the domestic sphere. The artists featured respectively across their practice engage with the human figure—sometimes present, sometimes absent—to activate interior spaces where themes of sexuality, queerness, solitude, and ritual might unfold. Central to the exhibition is the idea of the interior as a site for emotional and psychological expression, with each artist using it to examine aspects of male experience.

Titled after David Hockney’s iconic 1972 painting Portrait of an Artist (Pool with Two Figures), the exhibitionfurther references Hockney's Domestic Scene series, created between 1960 and 1970. This series examined intimacy, queerness, and domesticity, while underscoring Hockney’s ongoing exploration of self through portraiture and figurative painting.

For more information, please contact Cob Gallery.  

SOLO EXHIBITION: When The Sun Hits @ Galerie Alain Gutharc, Paris

Kris Knight "Rippling" oil on canvas, 18x14" 2024


Galerie Alain Gutharc is pleased to present When The Sun Hits, a solo show of new paintings by Canadian artist Kris Knight, October 12th - November 16th, 2024.  Opening Reception is Saturday, October 12th, 6-8PM.   

For his third exhibition with the gallery, Knight continues to construct scenes of glimpsed beauty, slow-burn longing and quiet in-between moments that define his queer experience. His sensitive portraits and figurative works portray his friends and acquaintances in solitary contemplation, longstanding relationships and mildly elegiac scenes of leisure and selfcare. He imbues his contemporary subject matter with historical art references and colour palettes in both natural and domestic settings. 

When The Sun Hits is the second part of a body of work that references notions of Victorian wellness that the artist started during the pandemic lockdown – the first exhibition referenced European garden portraiture that was created during the height of Tuberculosis, the second part moves locations from the garden to the shore, referencing the medical fad of “sea cure”: the sun, air and sea trifecta that was promoted by 18th-century doctors as a “cure all” for all ailments. Knight’s subjects escape the noise and heaviness of contemporary life for the tranquility of the sea, finding ecstasy in quietness and the freedom in simplicity. However, the delicate calm of his paintings is often shadowed by a layer of introspective dread humming in the background of all of his work. With this series Knight presents an elegant, intimate world dominated by lyrical mood, desire and subtle melancholy. 

For more information please contact Galerie Alain Gutharc at contact@alaingutharc.com

GROUP EXHIBITION: Echoes of Paradise @ Jane Lombard Gallery, NEW YORK



ECHOES OF PARADISE

CURATED BY ALEJANDRO JASSAN

Jane Lombard Gallery, New York 

June 28th - August 16th, 2024

Opening Reception: Friday, June 28th, 6 - 8 PM

Manuela Benaim, Jean-Baptiste Bernadet, Kadar Brock, Deborah Brown, Henri Paul Broyard, Geoffrey Chadsey, Kyle Coniglio, Cynthia Daignault, TM Davy, Benjamin Edmiston, Hank Ehrenfried, Evan Halter, Matthew Hansel, Andrew Holmquist, Kris Knight, Karolina Maszkiewicz, Kristin McIver, Alicia Reyes McNamara, Azita Moradkhani, John T.D. Murphy, Dominic Musa, T.J. Dedeaux-Norris, Chase Palmer, Jan Rattia, Kathy Sirico, Eva Struble, Xiao Wang

Jane Lombard Gallery presents Echoes of Paradise, a group exhibition curated by Alejandro Jassan. Echoes of Paradise explores the multifaceted significance of the Garden of Eden through the lenses of nature, art history, cultural assimilation, gender identity, and forbidden pleasures. 

Echoes of Paradise deconstructs the myth of the Garden of Eden, highlighting how its themes have permeated art and culture across generations and geographies. Throughout art history, the symbols and language of the paradise have been endlessly replicated and reinterpreted. Edenic symbols serve as a bridge between the past and present, revealing the dynamic interplay between historical and modern perspectives. Echoes of Paradise brings this dialogue to the forefront, showcasing how the Genesis narrative has been adapted to reflect varying cultural, social, and artistic milieus. Furthermore, the exhibition sheds light on cultural assimilation and power dynamics, all the while examining how the myth has been integrated and transformed within different societies.

Providing a rich tapestry of visual narratives that reflect humanity's enduring fascination with this primordial story, the exhibition is foregrounded in familiar Edenic emblems-- from representations of the archetypal figures of Adam and Eve to lush landscapes enveloped in flora and fauna. The exhibition also explores the concept of repetition, both symbolically and formally, as a means of illustrating how this myth has echoed through time, morphing across cultures and contexts, evolving yet retaining its core. Through recurring motifs and repetitive brushstrokes, the artists collectively signal the continuous adaptation of this narrative and its impact on collective memory and cultural identity.

Looking to the human body, queer narratives, and feminist viewpoints, Echoes of Paradise challenges traditional gender norms. Disrupting the patriarchal gaze, these works reimagine Eden from perspectives of intimacy, ones that particularly seek to upend stereotypical depictions of gender. Addressing gaps in traditional narratives, the works play with aspects of masculinity, fragility, and tenderness, creating space for alternative perspectives on the human experience as well as critically investigating what inclusivity means from a 21st century vantage point. 

Echoes of Paradise invites viewers to reconsider their consumption of imagery, symbols, and narratives. The exhibition not only enriches our understanding of art history but also challenges conventional gender roles, encouraging inclusivity as the approach to storytelling. Together, the artists in this exhibition create a vivid portrayal of paradise as a multifaceted, interconnected, and emotionally resonant place, one that has expanded to include voices and experiences historically excluded from the dialogue.


SOLO EXHIBITION: SUPERHOST @ Spinello Projects, Miami

Kris Knight "Get Together" oil on canvas, 48x36" 2023


Superhost - New Paintings by Kris Knight 

February 10 - March 16, 2024 @ Spinello Projects, Miami 

Opening: Saturday, February 10, 6 - 9 pm

Free & open to the public

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Spinello Projects is proud to present Superhost by Canadian artist, Kris Knight, debuting a series of figurative paintings inspired by the historical notion of urban exodus during an epidemic. These paintings present light-drenched emotional portals of the past and present, where mundane queer moments have impact without being sensationalized. This is Knight’s fourth solo exhibition with the gallery. 

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Superhost is Knight’s pandemic garden series, inspired by the similarities of Victorian wellness during the tuberculosis pandemic of the 18th and 19th centuries and the connective social patterns to that of COVID19. These paintings return to the idea of being alone in the sense of wholeness: alone as in “all one.” Knight’s characters retreat from the muchness of their urban worlds for the stillness of gardens, country homes and rural Airbnbs. He cites his contemporary characters in bucolic locations referencing historical Victorian and Belle Époque garden paintings and expands his pastel palette to include the vivid, acidic greens that were popular during this era.

For more information, please contact Spinello Projects.  

Kris Knight would like to thank Canada Council For The Arts for their support with this series.  


Press:

"Must-See Miami Art Exhibitions in February" - Miami New Times 

"New and exciting in Miami’s art scene: 3 must-see exhibitions" - The Miami Hurricane 

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GROUP EXHIBITION: My Velvet Shadow @ CLAMP New York


Green Glow, oil on canvas, 20x16" 2019


My Velvet Shadow  May 11th - June 30th featuring the works of John Brooks, Anthony Goicolea and Kris Knight.  Opening reception is Thursday May 11th, 6-8pm. 

The exhibition “My Velvet Shadow” presents three Gen X painters— John Brooks, Anthony Goicolea, and Kris Knight—whose work exemplifies queer time and queer style. These artists came of age with the residual fear that sex, intimacy, and love could likely lead to death. Their work incorporates anachronistic coded language and cross-cultural signifiers. It neither takes on the mantle of radical sexuality as activism prominent in 1980s predecessors such as David Wojnarowicz, Robert Mapplethorpe, Peter Hujar, and Jack Smith; nor does it celebrate the unabashed sexual exuberance of many younger queer artists.

View the press release here. 

For more information please contact CLAMP 


ART FAIR: DRAWING NOW, Paris

New works on paper will be exhibited at Drawing Now Art Fair with Galerie Alain Gutharc, March 23 - 26, 2023 at the Carreau du Temple in Paris.  For more information, please contact Galerie Alain Gutharc.   

GROUP EXHIBITION: Come Out & Play @ BEERS LONDON



 Group Exhibition: Come Out & Play at BEERS London, London, UK - June 18 - July 16, 2022

Participating Artists:

Adam Baker * Paul Booth * Katherine Bradford * J. Carino * Giorgio Celin * Wenjie Ding * KEEYA * Kris Knight * Navot Miller * Andrew Moncrief * Gori Mora * Emily Oliveira * Ally Rosenberg * Andrew Salgado * Logan T. Sibrel * Krzysztof Strzelecki * Brea Weinreb * Caleb Yono

Curated by artist Andrew Salgado the LGBTQ+ themed exhibition Come Out & Play, celebrates internationally-based queer artists whose practice prioritizes a bold approach and work that is celebratory, challenging, and progressive. The artists included present queerness as manifest through colour and play, a subject matter free from taboo or shame, and a greater practice that responds to the contemporary ideology of what it means to be a queer artist in society. Included works are primarily in – but not limited to – the form of figurative painting. The exhibition presents lesser-known LGBTQ+ artists alongside mid-career or more established artists at work today.

Exhibition Text by Russell Tovey, Collector & Author, Talk Art   

For more information please contact BEERS London



GROUP EXHIBITION: 200 TRUNKS, 200 VISIONARIES @ LA GALERIE LOUIS VUITTON, ASNIÈRES-SUR-SEINE


 

"200 Trunks, 200 Visionaries: The Exhibition" an invitational exhibition of creative trunk designs created to celebrate Louis Vuitton's bicentennial birthday displayed in his historical home in Asniéres, December 9th - January 6th, 2022.  *This exhibition will travel the world in 2022.  

04.04.2022 - Marina Bay Sands Events Plaza, Singapore - more info here. 

07.29.2022 - 09.06.2022 - Beverly Hills, California - more info here.  



SOLO EXHIBITION: Auscultate @ Galerie Nicolas Robert, Montréal

Kris Knight - Auscultate

Du 21 octobre au 21 novembre 2020 | From October 21 to November 21, 2020


La Galerie Nicolas Robert est heureuse de présenter Auscultate une exposition des plus récentes peintures figuratives de l'artiste torontois Kris Knight. Avec cette exposition, dont le titre fait référence à l’acte d’écouter pour comprendre, apprendre, diagnostiquer, Knight poursuit son exploration de l'intimité à travers des récits qui s’ancrent dans la performance, la queerness et la représentation.  Kris Knight, Wilfire Conservatory, Oil on Canvas, 24x18" 2020
 
La majorité de ces nouvelles œuvres ayant été réalisées pendant la période de quarantaine au printemps dernier, Knight s'est inspiré majoritairement de souvenir et d’expérience personnelle, ainsi que de sources photographiques antérieures au confinement, souvent d'amis ou de connaissances. La réflexivité de ces œuvres intimes présente des œuvres et des portraits qui se retirent de la grandeur du monde tout en le reflétant et en y répondant subtilement. Tirant parti du silence plutôt que du vacarme, de l’apprentissage plutôt que de l'ignorance et de l’écoute plutôt que la prise de parole, ces reflets sombres, tendres, nostalgiques et parfois humoristiques de la vie quotidienne évoquent souvent un sentiment inconfortable sous-jacent de totale sérénité et d’incertitude. 

L'artiste tient à remercier le Conseil des Arts du Canada ainsi que le Conseil des Arts de l'Ontario pour avoir rendu cette exposition possible.


Pour plus d'informations, veuillez contacter Laurence Dallaire ou Nicolas Robert au info@galerienicolasrobert.com ou au 514-373-2027.



Galerie Nicolas Robert is pleased to present Auscultate an exhibition of recent figurative paintings by Toronto-based artist Kris Knight. With Auscultate (to learn by listening), Knight continues his exploration of intimacy through narratives that revolve around performance, queerness and representation. 
 
With the majority of these new works completed during lockdown, Knight drew inspiration from memory and personal experience, as well as pre-social isolation photographic source material often portraying his friends and acquaintances. The reflexivity in the narrative of these intimate works present paintings and portraits that retreat from the muchness of the world yet subtly mirror and respond to it just the same.  Leveraging silence over distraction, learning over ignorance and listening over speaking, these somber, tender, nostalgic and sometimes humourous reflections of daily life often have an underlying discomfort of total quiet and the uncertainty of now. 

The artist would like thank the Canada Council for the Arts, as well as the Ontario Arts Council for making this exhibition possible. 


For more information, please contact Laurence Dallaire or Nicolas Robert at info@galerienicolasrobert.com or 514-373-2027.







GROUP EXHIBITION: UN MOUTON DANS LA CAISSE @ GALERIE ALAIN GUTHARC, PARIS

Group Exhibition at Galerie Alain Gutharc, Paris
June 13 - July 31, 2020
Featuring works on paper by artists Edi Dubien, Cyril Duret, Laurent Goumarre, Suzanne Husky, Kris Knight, Guillaume Linard-Osorio, Bernard Quesniaux, Guillaume Talbi. 

The Little Prince is a mysterious and familiar being, so much he accompanies us, all as we are, with his poetry and his moving gaze on the world and the things of this world.Saint Exupéry knew how to give him a body, an image, a form, both possible and impossible at the same time. His Little Prince is, and yet will never be real if it is not in our hearts and our minds.
The first chapter of this tale tells about the meeting of the broken-down, not to say lost, aviator in the sandy ocean of the Saharan desert. The Little Prince arises and, with themost natural way to imagine, but insistently at the same time, ask the pilot to draw a sheep for him. It’s only on the fourth try, renunciation and abandonment, that the child rejoices with happiness at the design of a box pierced with ventilation holes and the “not so small sheep” it contains.
Drawing is the support for our imagination. Maybe even more than painting because it is faster, often lighter, sometimes more spontaneous, it is believed. Anyway, there seems more immediately affordable and seizable as more modest. No doubt this is because we have all scribbled, colored, constructed figures on the surface of a paper sheet, or simply invaded the space of this one of lines that intersect like abstractions. In short, drawing is familiar to us, even if for many years, sometimes decades, we have abandoned the idea to other hands deemed more skilled or more capable to accomplish the task.
This exhibition shows drawings, and only drawings. These are the works of Edi Dubien, Cyril Duret, Laurent Goumarre, Suzanne Husky, Kris Knight, Guillaume Linard-Osorio, Bernard Quesniaux, Guillaume Talbi.
Each artist has his own trait, his way, his identity. Each artist has their own universe. Their confrontation, or rather their cohabitation, is the fruit of our will. This will meets our interests, our pleasures, our desires. But also, and above all, in our eyes, which not stopping at the surface of the lines, they can see, perhaps, the sheep contained in transport boxes and elephants swallowed by gluttonous boas.This exhibition invites you to rediscover your Little Prince eyes and the happy pleasure of living, feeling and sharing.


For more information please contact Galerie Alain Gutharc 

GROUP EXHIBITION: A PORTRAIT SHOW @ VIVIANEART, CALGARY

Kris Knight, "Niagara Falls" Oil on canvas, 14x11" 2019 
Group exhibition at VIVIANEART, Calgary, November 15- December 21, 2019.
Opening: Saturday, November 16th, 2019  2-5PM 
VIVIANEART is proud to present “A Portrait Show”, a present day exploration of an age-old genre. Identity seems a particularly charged topic as we move through these early decades of the 21st century.  Today’s portrait artists have an opportunity to impact current considerations of identity as it relates to race, gender, sexual identity and the politics of each.
The five artists included in this group exhibition, Alex Bierk, Erik Olson, Kris Knight, Tyler Bright Hilton and Winnie Truong, are all impactful Canadian art influencers in their own right. While portraiture has shifted and changed over time, what has not changed is that the most successful pieces are not only skilled works, but also socially relevant, innovative and personal in some way to the maker.  These artists bring this caliber of portraiture to the fore. Whether the deeply intimate and emotionally charged hyper-real paintings of Alex Bierk, the colourful, abstracted character studies of Erik Olson, or the oft fictional character explorations of Winnie Truong, Kris Knight and Tyler Bright Hilton, they endeavor to delve into self, other and ultimately, the identity of each.
For more information + images please contact VIVIANEART 



GROUP EXHIBITION: @ GALERIE THOMAS FUCHS, STUTTGART

Kris Knight "Rich Man's House" oil on canvas, 14x11" 2019 

Male.  Patrick Angus, Peter Churcher, TM Davy, Rainer Fetting, Kris Knight, & Martin-Jan van Santen
August 16th - September, 14, 2019
Opening: Friday, August 16th 6-11PM
For more information + images contact Galerie Thomas Fuchs 

GROUP EXHIBITION: AS I LIKE @ GALERIE ALAIN GUTHARC, PARIS


As I Like Summer Group Exhibition at Galerie Alain Gutharc, Paris June 29 - July 31, 2019.  For more information please contact the gallery.
Featuring:
Ron Arad, Eugène Atget, Andrea Branzi, Raphael Barontini, Humberto & Fernando Campana, Robert & Jean Cloutier, Edi Dubien, Jean Dubuffet, Frantisek Drtikol, Vincenzo Galdi, Laurent Goumarre, Suzanne Husky, Jean-Baptiste Janisset, Mathias Kiss, Kris Knight, Delphine Kreuter, Christian Lacroix, Shiro Kuramata, Jacques Henri Lartigue, Guillaume Linard Osorio, Stéphane Magnin, Enzo Mari, Ingo Maurer, Alessandro Mendini, Philippe Million, Pierre Paulin, Estefania Peñafiel Loaiza, Charlotte Perriand, Jean Prouvé, Bernard Quesniaux, Michael Roy, Thomas Ruff, Ettore Sottsass, Philippe Starck